In The Eyes of Delayed Gratification
Way back in the day, I saw what I remember as a full-page ad for Century Media's 1991 death metal compilation, In The Eyes of Death. As a budding death metal enthusiast, the title and artwork fascinated me but I bought one because money was tight and full-length albums were higher on my list of things to get. Never seeing a copy in the wild didn't help, either. Last week, after 30+ years, I finally got a copy. It does not disappoint.
Beyond nostalgia and Axel Hermann's incredible cover art, what makes this comp special is that it captures demo tracks from 6 important death metal bands at the birth of their careers: Unleashed, Asphyx, Tiamat, Morgoth, Grave, and Loudblast. Five of them would go on to lengthy relationships with Century Media (Loudblast went elsewhere, largely France's Listenable Records).
Here's the tracklist for the US CD pressing*:
- Unleashed, "Unleashed"
- Unleashed, "Dead Forever"
- Unleashed, "In They Had Eyes"
- Asphyx, "Wasteland of Terror"
- Asphyx, "Pages In Blood"
- Tiamat, "A Winter Shadow"
- Tiamat, "Ancient Entity"
- Morgoth, "Burnt Identity"
- Morgoth, "Travel"
- Grave, "Eroded"
- Grave, "Putrefaction Remains"
- Grave, "Haunted"
- Loudblast, "Outlet For Conscience"
- Loudblast, "Psalm 9" (Trouble cover)
- Loudblast, "Punishment"
Hearing these songs as they were originally mixed and mastered in 1990/1991 is an absolute delight. Instruments are cleanly separated and carry their own weight and punch instead of being mashed into a sonic brick as we get today. Just look at those gorgeous waveforms at the end of this post. The simple but well-designed booklet includes descriptions of each band, along with notes on the recordings:
Asphyx: Recorded at Harrow Productions, Losser / Holland.
Tiamat: Recorded at Sunlight Studio, Stockholm / Sweden the 9th and 10th of November 1990.
Grave: Recorded October 1990 at Nobel Studios, Bielefeld / Germany.
Loudblast: Recorded January 1991 at Nobel Studios, Bielefeld / Germany. Mixed in France.
Over the years, many of these tracks have been remastered for various reissues of the full-lengths they’re associated with. The remasters aren't terrible, but they're compressed, limited, and a bit hard on the ears.
Needless to say, I couldn't happier to finally own an original copy of this beautifully recorded snapshot of death metal's infancy. If only Century Media had produced a few more of these, a'la Relapse's At Death's Door and Nuclear Blast's Death ...Is Just The Beginning.
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* Other countries and other formats got different track selections, so the US pressing is really the one to get if you're after the most material.
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